Moreover, Pape has explored image-production processes beyond the classic camera techniques and even included computer and X-ray images in her artistic practice, such as for DER GARTEN/THE GARDEN (1998) or in SPLIT BRAIN 1.0 (2000).
Zudem beschäftigte sie sich mit Bild-Herstellungsverfahren jenseits klassischer Kameratechniken, bezog etwa für DER GARTEN (1998) oder SPLIT BRAIN 1.0 (2000) Computer und Röntgenbilder in ihre künstlerische Praxis mit ein.
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