"Trivellazione a percussione" was written as a didactic work; that is why it contains a number of performance problems, both technical and interpretative, ranging from polymetry, polyrhythm and creative ad libitum on non-melodic instruments to independent two-part thinking and virtuosity.
Utwór "Trivellazione a percussione" został napisany jako utwór dydaktyczny, dlatego też zawiera szereg problemów wykonawczych, zarówno technicznych, jak i interpretacyjnych - od polimetrii i polirytmii, przez kreatywne ad libitum na instrumentach niemelodycznych, do niezależnego myślenia dwugłosowego i wirtuozerii.
In the earlier version, the original metre of 3/4 is retained, which, combined with the accompaniment in the metre of 4/4, gives an example of polymetry, unmet with anywhere else in Chopin's output.
W wersji wcześniejszej zachowane jest ich oryginalne metrum 3/4, co w zestawieniu z akompaniamentem utrzymującym metrum 4/4, stwarza casus niespotykanej nigdzie indziej u Chopina polimetrii.
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